All Stories Index
Scene 1 / 5
The Thousand Names of Shiva
Anushasana Parva❈ Aftermath

The Thousand Names of Shiva

Shiva Sahasranama - Krishna's Own Teaching

Scene 1 of 5

Upon the Bed of Arrows

The days had grown quiet on the field where the war had been fought and won and mourned. Bhishma lay still upon his bed of arrows, waiting for the sun to turn north before he would let go of his life, and each evening Krishna brought Yudhishthira to sit at the old man's side and draw out from him what wisdom remained to be given. Already Bhishma had spoken long of the duties of kings and of the gifts that bring merit; the thousand names of Vishnu he would give only later, and that is its own story.

But Yudhishthira was not yet satisfied. He knelt by the grandsire and said, "Tell me of the god whom the world calls Mahadeva, the Great God, terrible and gentle both, who dances at the end of ages and sits in silence upon the mountain. Grandsire, tell us of Shiva and of his names."

A stillness came over Bhishma's face, the stillness of a man measuring the size of a question against the smallness of his own voice. "Of Rudra, of Shankara, of the one who is beyond the counting of names," he said slowly, "I have not the strength to speak as he deserves. There is one among us who has stood before Mahadeva himself and received his grace and his teaching direct from Uma's own household. Let Krishna tell you of Shiva, for what I would only repeat, he alone can remember."

Every head turned. Krishna, who had sat so long as listener and charioteer and quiet witness to Bhishma's teaching, smiled the smile of one asked to open a door he had long kept closed, and began.

Characters:
bhishmayudhishthirakrishna
Location:
kurukshetra
Scene 2 of 5

Krishna's Vow

"Long before this war was thought of," Krishna said, "my queen Jambavati, seeing the sons Rukmini had borne me, begged me for a brave son like myself, and I knew that such a son is not had by wanting alone. So Garuda bore me to the Himalayas to perform tapasya, and there I came upon the hermitage of a sage named Upamanyu, a boy once beloved of Shiva himself, who as a child had been given by the Great God a whole ocean of milk to drink because his own mother had none to give him. Young still, but blazing with his austerities, Upamanyu had never once let go of the god who had come to him in his hunger.

I told him what I sought, and he said to me, plainly, 'There is no doubt you will obtain a son like yourself. Perform great austerities and satisfy the lord Ishana, who dwells here with his wife.' I trusted the sage, and on the eighth day he initiated me; I shaved my head, took the staff and dressed in rags, and put aside my discus and my flute and my thousand comforts. For one month I lived on fruits, for a second on water, and for the third, fourth and fifth on air alone, standing on one foot with my arms raised, my mind fixed on nothing but the god he had taught me to seek.

Upamanyu stayed near me through all of it, neither encouraging nor discouraging, only watching, the way a gardener watches a seed he trusts more than he trusts the season. On the days when my resolve thinned he would tell me a little more of the god he loved: how Shiva had once let him drink an ocean rather than see a child go hungry, how terror and tenderness lived in the same throat, how a single glance from that god could burn a kingdom to ash or heal a leper's skin in a breath. He was preparing me, though I did not know it, not merely for a boon but for a teaching that would outlast the boon by an age."

Characters:
krishnayudhishthira
Location:
kurukshetra
Scene 3 of 5

The Vision at Upamanyu's Ashram

"When those months were done," Krishna said, "the forest itself seemed to hold its breath. The wind stopped moving through the leaves. Upamanyu, sitting near, rose suddenly to his feet, and when I opened my eyes I understood why.

Before us stood Uma and her lord, though 'stood' is a poor word for what filled that clearing - a light that was also a stillness, a majesty that did not need to raise itself above the trees to be seen by all the worlds at once. I fell to the ground as any devotee falls, forgetting for that moment that I too carry divinity, because there are forms of grace so complete that even a god kneels before them without shame.

Shiva spoke first, bidding me look at him and speak; I praised him, and he, pleased, offered me eight boons. Among the eight I asked for firmness in dharma, strength in battle, his nearness, and hundreds of sons; and he granted them all. Then Uma, gentle where her lord was vast, told me that the Lord had granted me a son named Samba, and she too gave me eight boons. That son is Samba, who sits even now among my children.

But the greater gift was not the boon. When the god and goddess had vanished, I told Upamanyu all that had happened, and he, bowing to the god of gods, recited to me the thousand names that the sage Tandi had used to praise Shiva, handed down from Brahma through many sages to Markandeya and from Markandeya to him. And so I received them not as a scholar receives a text but as a starving man receives food, each name a mouthful of the god himself, and I have carried them within me since that day the way one carries the memory of a face seen once in a flash of lightning, never to be forgotten."

Characters:
krishnayudhishthira
Location:
kurukshetra
Scene 4 of 5

The River of a Thousand Names

Yudhishthira leaned forward, and Krishna, closing his eyes as though to see the clearing again, began to let the names fall from him one into the next, the way a river does not pause between one stretch of water and the next.

He is Rudra, the roarer, whose cry at the world's grief is fiercer than any lion's, and he is Shambhu, the source of joy, in whom that same grief is somehow made into a shelter. He is Trilochana, the three eyed, whose third eye sees what the other two cannot bear to look upon, and whose glance, when it opens, unmakes what it falls on - yet those same eyes rest on Uma with nothing but tenderness, so that the god who can burn away the three worlds in an instant is also the god who cannot bear to see his wife's brow furrow with worry. He is Nilakantha, the blue throated one, who once drank the poison churned up from the ocean of milk rather than let it destroy the gods and demons who had made it, holding that death in his own throat forever rather than passing it on to anyone else - the poison did not kill him, but it stained him, and he wears that stain as gladly as another god wears jewels. He is Nartaka, the dancer, whose steps at the end of an age burn away everything that has grown false and leave only what is true, so that his dancing, which looks like destruction, is in truth the world's cleansing. He is Pashupati, lord of all creatures, tender to the smallest and least of them, and he is Kala, time beyond time, older than time and yet not bound by its passing. He is Gangadhara, who caught the river Ganga in his matted hair when she fell from heaven, breaking her fall so that the earth would not be shattered by her descent, holding a goddess in his hair the way another might hold a wildflower.

He is terror, and he is the hand that heals what terror has broken. Both are true at once, and neither is the whole of him.

Characters:
krishnayudhishthira
Location:
kurukshetra
Scene 5 of 5

Hari and Hara

Krishna opened his eyes and found the whole assembly silent, even the birds seeming to have stilled themselves to listen.

"Understand this above all," he said, "because it is the one the ignorant miss most often. Hari and Hara, Vishnu and Shiva, are not two gods competing for the devotion of the world. They are one truth wearing two faces, as a single flame may be seen now as warmth and now as light, though it is only ever one fire. I who preserve and Shiva who destroys are bound together the way a beginning is bound to an end - neither can be understood alone, and whoever worships one truly and calls the other lesser has understood neither.

Whoever hears these names of Shiva with faith, whoever repeats them at dawn with a clean heart, is freed from fear, for what is there left to fear once you have seen that the god of terror is also the god who caught a falling river in his hair rather than let it break the world? Sorrow loosens its grip on such a listener. Enemies find no purchase against him. And at the end, when the body is set down like a garment no longer needed, such a listener goes to that same stillness where Uma and her lord stood in the clearing that day, needing nothing more, afraid of nothing more."

Bhishma, listening from his bed of arrows, closed his eyes and nodded slowly, as a man nods who has just heard the very thing he could not himself have said. Yudhishthira sat a long while without speaking, the fever of grief that had not left him since the war's end quieter now than it had been in many days, as though something vast and steady had reached down and set a hand, at last, upon his shoulder.

Characters:
krishnayudhishthirabhishma
Location:
kurukshetra

Dharma Lesson

Terror and tenderness are not opposites in the divine but two faces of the same truth, and a devotee who fears one face has not yet understood the other. Krishna's willingness to learn from Upamanyu, and Bhishma's willingness to defer to Krishna, both show that true wisdom is measured not by rank but by what one has actually known. To see Vishnu and Shiva as rivals is to miss the deeper unity beneath all divine forms.

Explore the People and Places

Characters

Places

Dharma protects those who protect it.