Sub-book 5 of 100 · Adi Parva
Astika Parva
The Book of Astika
adhyayas 13-58
What is the Astika Parva?
The Astika Parva (Book of Astika) is the 5th of the one hundred upaparvas - the sub-books - into which the Mahabharata divides itself, and belongs to the Adi Parva.
The great frame story of the serpents. It tells of Kadru and Vinata and their wager, the birth of Garuda, his theft of the soma to free his mother from bondage, and the churning of the ocean. Kadru's curse dooms her serpent sons to be burned in a sacrifice. King Janamejaya, avenging his father Parikshit's death by Takshaka's bite, begins the snake sacrifice, and the serpents perish until the young brahmin Astika, born of Jaratkaru and the naga woman Jaratkaru, halts the rite and saves the surviving snakes.
Inside the Astika Parva
The Astika Parva is the fifth and by far the longest sub-book of the introductory material in the Adi Parva, spanning dozens of chapters and carrying the frame narrative of the snake sacrifice to its climax. It gathers together the strands laid down in the Paushya and Pauloma sub-books, Uttanka's grievance against Takshaka, the genealogy of sages descended from Bhrigu, and the still-unresolved matter of why Janamejaya's ancestors and the serpent race stand in such bitter enmity, and weaves them into the single great story that gives the sub-book its name: the birth and intervention of the brahmin youth Astika, who at the last moment halts the destruction of an entire species.
The story begins further back than the sacrifice itself, with the sage Kashyapa's two wives, Kadru and Vinata, and the wager they make over the color of the divine horse Uchchaihshravas produced at the churning of the ocean. Kadru, mother of the serpents, wagers that the horse's tail is black, and when she proves wrong she compels her sons to conspire in deceiving her rival by staining the tail with their own poison, so that Vinata, mother of the mighty bird Garuda and his brother Aruna, is bound into servitude by the false result. This deception becomes the root of the enmity between Garuda's line and the serpent race, an enmity the epic makes clear will echo forward across generations.
Garuda's birth and his subsequent efforts to free his mother from bondage occupy much of the sub-book's early portion. Told that only the theft of Amrita, the gods' nectar of immortality, can purchase Vinata's freedom from the serpents, Garuda undertakes a tremendous journey, overcomes the gods' guardians and Indra himself in combat, and seizes the nectar, striking a bargain with Vishnu and Indra along the way that grants him a boon of invulnerability and establishes him as Vishnu's own mount. He delivers the nectar to the waiting serpents, but through a ruse persuades them to purify themselves before drinking, and in that interval Indra recovers the nectar, so that the serpents, though freed from their oath to Kadru, are left forever after with forked tongues from having licked the blades of grass on which the nectar had briefly rested.
The narrative then turns to the churning of the ocean of milk, recounted as background to explain the origin of Amrita and of several other treasures and beings that emerged from that primordial event, including the horse whose color started the original wager. From here the story returns to Kadru's curse upon her serpent sons, condemning them to perish in a sacrificial fire kindled by a descendant of the Pandava line, a curse whose fulfillment the epic has been building toward across all these preceding tales.
The sub-book then moves forward to Janamejaya himself, son of Parikshit, whose father was killed by Takshaka's venomous bite as recounted earlier in the frame story, and to Janamejaya's resolve, urged on by Uttanka, to hold the great snake sacrifice that will annihilate the serpent race and avenge his father in a single stroke. The rite is performed with terrible power, and serpent after serpent is drawn irresistibly into the sacrificial fire and consumed, Takshaka himself only narrowly evading destruction through Indra's protection until even that shelter begins to fail him.
At this critical juncture the sub-book introduces its title figure, Astika, born of the union between the sage Jaratkaru and a naga woman also named Jaratkaru, sister of the serpent king Vasuki, a marriage undertaken specifically because an old prophecy held that only a son of this pairing could save the serpent race from the coming destruction. Astika, still a boy but already learned and eloquent, comes to Janamejaya's sacrifice, praises the king and the rite in verses of such skill that Janamejaya offers him any boon he desires, and Astika asks that the sacrifice be halted and the remaining serpents spared. Despite the priests' urging to let the rite continue and despite Takshaka's fall being imminent, Janamejaya honors his word, the sacrifice ends, and the surviving serpents, including Takshaka, are saved.
Within the epic's overall design, the Astika Parva closes out the elaborate frame narrative that has occupied the entire opening of the Adi Parva, resolving the snake sacrifice that gave Vaishampayana his occasion to recite the Mahabharata to Janamejaya in the first place. It is also, in its own right, one of the epic's great stand-alone myths, still recited independently in later ritual and literary tradition as an account of how a vow given, even under great pressure, can override a king's fiercest desire for vengeance. Its lesson, that a promise once made must be honored even at the cost of an cherished purpose, and that mercy interposed at the final moment can redeem an entire people, resonates forward into the epic's later meditations on the tension between duty, vengeance, and compassion that will recur throughout the story of the Kurus and Pandavas.